Super Panavision 70 Printed Film Format : 16 mm ("flat" version) 8 mm (Cineavision, 1:2,35, anamorphic) Digital (Digital Cinema Package DCP) Eastman Color Print Film type 5385 (anamorphic) Eastman Color Print Film, Type 5385 The Big Fisherman (1959) Exodus (1960) West Side Story (1961) Lawrence of Arabia (1962) Entrée dans le marché des caméras Some of the films made in Super Panavision 70 were presented in 70 mm Cinerama in selected theaters. +++ Lenses. Aus dem Negativ konnte eine 70-mm-Filmkopie mit sechs Magnettonstreifen und eine 35-mm-Filmkopie erstellt werden.Das Seitenverhältnis betrug 2,21:1 beim 70-mm-Film und 2,35:1 beim 35-mm-Film. Super Panavision 70 was the marketing brand name used to identify movies photographed with Panavision 70 mm spherical optics between 1959 and 1983.Ultra Panavision 70 was similar to Super Panavision 70, though Ultra Panavision lenses were anamorphic, which allowed for a significantly wider aspect ratio.However, Ultra Panavision 70 was extremely rare and has only been used on a handful of … Während der Dreharbeiten zu Eisstation Zebra wurde Ultra Panavision durch Super Panavision ersetzt, was das vorläufige Ende des Aufnahmeverfahrens bedeutete. Topics similar to or like Super Panavision 70. 2020-02-07. Serial Number. Status: 702 - Section 8 & 15-Accepted And Acknowledged. Panavision a aussi développé un procédé non anamorphique pour larges écrans : le Super Panavision 70, très proche du procédé Todd-AO. Registration Number. Un film tourné avec Super Panavision 70 apparaît pour la première fois en 1959 avec The Big Fisherman distribué par Buena Vista. The lenses deliver more radiant flaring characteristics than their modern counterparts, with smooth texture, distinct focus roll off, and low contrast. Dan Sasaki reminds us that the Ultra Panavision System lenses were first used in 1957 with non-reflex 65mm cameras. 702 - Section 8 & 15-Accepted And Acknowledged. Il Super Panavision ha fatto il suo debutto sul grande schermo nel 1959 con il film Il grande pescatore , pubblicato da Buena Vista Distribution , … Movies using Super Panavision 70. Öncesinde 60 ve 50 kod adlı iki modeli daha üretilmiştir. From Lawrence of Arabia to the more recent Live by Night and Assasin’s Creed, the Super Panavision 70s have left a distinctive mark on cinematic history. Status. Motion pictures photographed in Super Panavision 70 & Panavision System 65 • "70mm film like anything has its advantages and disadvantages. Share. Super Panavision 70. The terms "Super Panavision 70", "Panavision 70" and "Super Panavision" were interchangeable, whereas the term "70mm Panavision" referred to films shot in 35mm anamorphic Panavision and blown up to 70mm for release. Super Panavision 70 Notre offre Super Panavision 70* (*) La dénomination 70mm ne fait pas référence à la taille du format de projection film 70mm, mais veut donner une référence de … Super Panavision 70 lenses are true vintage optics. 85900867. The year 1959 saw the release of films in three 70mm competitors to Todd-AO.In addition to Super Technirama 70 and MGM Camera 65/Ultra Panavision, an out and out duplicate of the Todd-AO system was introduced by Panavision, Inc. Ultra Panavision 70 y MGM Camera 65 eran, desde 1957 a 1966 (y hasta 2015), las marcas que identificaban a las películas que se habían rodado con lentes anamórficas de Panavision*. Le ratio image obtenu est du 2.20 : 1. Panavision также разработала неанаморфотную широкоэкранную технологию, названную Super Panavision 70, которая по сути была идентична Todd-AO. During the late 1950s the Hollywood filmmaking community decided that changing from filming in the commonly accepted 35 mm format to 65 mm film would provide viewing audiences with an enhanced visual experience. 4443212. Le son est enregistré sur 6 pistes magnétiques situées de part et d'autre de l'image. The use of 65 mm photography and 70 mm printing became the standard adopted by others: Super Panavision 70 (essentially the Panavision company's version of Todd-AO) and Ultra Panavision 70 (the same mechanically, but with a slight 1.25:1 anamorphic squeeze to accommodate extremely wide aspect ratio images) are both 65/70 processes. Lenses | Angenieux Optimo Anamorphic Lenses, Panavision Anamorphic Macro Panatar Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision Super Speed Lenses, Panavision T Series Anamorphic Lenses Panavision Ultra 70 lenses use a 1.25x squeeze which allows for the entire sensor to be sampled during photography, providing a true 8K anamorphic image (35MP). 4443212. Unlike its counterpart Ultra Panavision 70, which used anamorphic lenses, Super Panavision used spherical lenses to create a final aspect ratio of 2.20:1. Super Panavision war weitgehend identisch mit Todd-AO.Mit einer sphärischen Linse wurde das Bild auf einem 65-mm-Filmnegativ aufgenommen.Die Bildfrequenz betrug 24 Bilder pro Sekunde. Super Panavision 70 was the marketing brand name used to identify movies photographed with Panavision 70 mm spherical optics between 1959 and 1983. Packing up a vintage Super Panavision-70 camera for a trip from Panavision headquarters in Woodland Hills, California to Panavision-London. Filing Date. From Lawrence of Arabia to the more recent Live by Night and Assasin’s Creed, the Super Panavision 70s have left a distinctive mark on cinematic history. Movies using Super Panavision 70 . Super Panavision 70 lenses are true vintage optics. See more ideas about movie posters, i movie, movies. Status Date. My diagram below compares the area of Ultra Panavision 70 and 35mm anamorphic prints, and their respective horizontal expansion. 2013-04-10. SUPER PANAVISION 70 - Trademark Details. Movies using Super Panavision 70. The Big Fisherman (1959) Exodus (1960) West Side Story (1961) Super Panavision 70) использовала для изготовления негатива фильма киноплёнку шириной 65-мм с кадром в 5 перфораций высотой, но в отличие от «Ультра Панавижн 70… Registration Number. The terms "Super Panavision 70", "Panavision 70" and "Super Panavision" were interchangeable, whereas the term "70mm Panavision" referred to films shot in 35mm anamorphic Panavision and blown up to 70mm for release. The second was MGM Camera 65, a system designed by Panavision, which was introduced in 1956. The lenses deliver more radiant flaring characteristics than their modern counterparts, with smooth texture, distinct focus roll off, and low contrast. Word Mark. Le Super Panavision 70 est une technologie de prise de vue utilisée entre 1959 et 1983, faisant appel à des objectifs sphériques (à contrario de l'Ultra Panavision 70) et à un négatif 65 mm, afin de permettre un tirage de copies 70 mm dans des conditions optimales. La película de 70mm se utilizaba para capturar imágenes en este proceso, aunque el celuloide final preparado para la proyección contaba con 5mm más para poder añadir sonido estéreo de 6 pistas. 17 Movies Shot On Super Panavision-70 Camera - Lawrence of Arabia, Chitty Chitty Bang Bang, The Horsemen, Ice Station Zebra, Song of Norway, Ryan’s Daughter, Mackenna’s Gold, Lord Jim, Cheyenne Autumn, Exodus, The Big Fisherman, West Super Panatarien etuihin kuului myös sen säädettävyys, jolloin niillä voitiin esittää myös esimerkiksi Superscope -elokuvia. Super Panavision 70 was the marketing brand name used to identify movies photographed with Panavision 70 mm spherical optics between 1959 and 1983.. History. Panavision sai myytyä Super Panatareja 300 paria (linssejä myytiin pareittain koska jokaisessa elokuvasalissa on kaksi projektoria) vuoden 1954 alussa, johon vaikutti suuresti linssien halpa hinta. Special optics were used to project the 70 mm prints onto a deeply-curved screen to mimic the effect of the original 3-strip Cinerama process. Hintergrund. The marketing brand name used to identify movies photographed with Panavision 70 … Super Panavision 70, Sony tarafından satın alınmadan önce Panavision tarafından üretilmiş ve zamanının en iyi kamera niteliği taşıyan ve negatif filme direkt pozlama yapabilen; odak mesafelerini çeşitli objektifler yardımıyla, otomatik olarak ayarlayabilen bir cihazdır. Das Aufkommen von 70-mm-Blow-Up, das teurere Filmmaterial und höhere Entwicklungskosten verhinderten schließlich eine regelmäßige Filmproduktion. Movies using Super Panavision 70. Topic. The terms "Super Panavision 70", "Panavision 70" and "Super Panavision" were interchangeable, whereas the term "70mm Panavision" referred to films shot in 35mm anamorphic Panavision and blown up to 70mm for release. It is particularly appropriate for those films that are set in locations of outstanding natural beauty. The use of 65 mm photography and 70 mm printing became the standard adopted by others: Super Panavision 70 (essentially the Panavision company's version of Todd-AO) and Ultra Panavision 70 (the same mechanically, but with a slight 1.25:1 anamorphic squeeze to accommodate extremely wide aspect ratio images) are both 65/70 processes. The image area of Ultra Panavision 70 is three times that of 35mm anamorphic. Super Panavision 70 is similar to these topics: Ultra Panavision 70, Super Technirama 70, PV mount and more. DXL2’s 8K V V sensor elevates classic Panavision 2x anamorphic lenses to new heights by covering 25mm x 21mm giving a total pixel count of 5182 x 4320 (22MP). Dec 8, 2015 - Various films that have used Panavision's large format systems. In 1959, Panavision introduced Super Panavision 70 to compete with these two systems. SUPER PANAVISION 70. Official Panavision site; Ultra Panavision 70 process; Super Panavision process; pvdocs.com - all the current documentation on the Panavision Genesis camera; 映画の達人2宮城島氏のインタビュー; ゴードン・E・ソーヤー賞 宮城島卓夫 受賞映像 - YouTube - Oscars公式（第77回アカデミー賞） La Panavision sviluppò anche un processo widescreen non anamorfico chiamato Super Panavision 70, che era essenzialmente identico al Todd -AO. Offre complète et exclusive d'optiques Panavision anamorphiques, sphériques et 70mm, et d'optiques et zooms Cooke, Canon, Leitz, Nikon, Zeiss et Angénieux. Monikered as Super Panavision 70, it used spherical lenses …